Edouard Vuillard
Edouard Vuillard's Oil Paintings
Edouard Vuillard Museum
November 11, 1868-June 21, 1940. French painter.

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Peto, John Frederick
The Poor Man s Store

ID: 19849

Peto, John Frederick The Poor Man s Store
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Peto, John Frederick The Poor Man s Store


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Peto, John Frederick

American, 1854-1907 American painter. He trained at the Pennsylvania Academy of Fine Arts (1877-8), Philadelphia, where he became a friend of William Michael Harnett whose work was a dominant influence on his oeuvre. Peto maintained a studio in Philadelphia, exhibiting at the Academy from 1879 to 1887; he earned a living through occasional work as a photographer, sculptor and painter. After moving to Island Heights, NJ, in 1889,   Related Paintings of Peto, John Frederick :. | Discarded Treasures | Take Your Choice | Lincoln and the 25 Cent Note | For the Track | The Poor Man s Store |
Related Artists:
Pierre Auguste Renoir
1848-94
Alexandre-Francois Caminade
Alexandre-Francois Caminade (December 14, 1783 - May 1862) was a French painter. Caminade was born and died in Paris. He was a portraitist and a religious painter. He was Jacques Louis David's pupil. See also, Larousse article at Cyclopedia of Painters and Paintings, eds. John Desnison Champlin and Charles Callahan Perkins
JORDAENS, Jacob
Flemish painter (b. 1593, Antwerpen, d. 1678, Antwerpen). Flemish painter, tapestry designer and draughtsman. In the context of 17th-century Flemish art, he emerges as a somewhat complicated figure. His oeuvre, the fruit of a continual artistic development, is characterized by great stylistic versatility, to which the length of his career contributed. His religious, mythological and historical representations evolved from the rhetorical prolixity of the Baroque into a vernacular, sometimes almost caricatural, formal idiom. The lack of idealistic treatment in his work is undoubtedly the factor that most removed Jordaens's art from that of his great Flemish contemporaries Rubens and van Dyck. Jordaens's officially commissioned works included many paintings in which the sublimity of the subject-matter clashed with the vulgarity of some of his figures. Unlike Rubens and van Dyck, both of whom were knighted in the course of their careers, Jordaens was, in fact, completely ignored by the courts of Spain and Brussels






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